Artwork copyright Marvin Oliver. Photo courtesy of the artist.

Artwork copyright Marvin Oliver. Photo courtesy of Washington State Arts Commission, 2017.

Artwork copyright Marvin Oliver. Photo courtesy of the artist (detail).

Artwork copyright Marvin Oliver. Photo courtesy of the artist (detail).

Artwork copyright Marvin Oliver. Photo courtesy of the artist (detail).

Artwork copyright Marvin Oliver. Photo courtesy of the artist (detail).

Eagle Bearing Wealth, 1988

Marvin Oliver
(American | Quinault | Isleta-Pueblo, born 1946, died 2019)

Location: North Seattle College, Seattle

ABOUT THE ARTWORK

Eagle Bearing Wealth is a carved and painted wood sculpture by late Native American artist and master carver Marvin Oliver (Quinault/Isleta). He used traditional Northwest Coast designs, colors, and motifs. The Douglas fir totem composition features formline animal figures and is topped by an inlayed piece of etched copper.

This artwork was acquired for the State Art Collection in partnership with North Seattle Community College.

ABOUT THE ARTIST

Seattle-based Quinault and Isleta-Pueblo artist Marvin Oliver (1946-2019) was a master carver, sculptor, and printmaker producing works in cedar wood, bronze, glass, steel, and paper.

Oliver was born in Shelton on southern Puget Sound and worked within the traditions of Native American Northwest Coast designs and themes. He was also an important influence on contemporary Native American art and artists. He described his art as "formulated by merging the spirit of past traditions with those of the present... to create new horizons for the future." Many of his artworks express his ideas and Native American stories about life, time, traditions, ancestors, the universe, and his hope for future generations.

Oliver earned a Bachelor of Arts degree from San Francisco State University in 1970 and a Master of Fine Arts degree from the University of Washington in 1973. He was Professor Emeritus of American Indian Studies at the University of Washington and Adjunct Curator of Contemporary Native American Art at the Burke Museum of Natural History and Culture (both in Seattle). In the 1970s, he began a tradition of an annual “Raven’s Feast” dinner at the University of Washington to celebrate the accomplishments of Native American and Alaska Native graduates. He also gifted one of his prints to each graduate. Raven’s Feast has grown into a cornerstone of the UW Native community.