Artwork copyright James Harry. Photo courtesy of Whatcom Community College, by James Zyon, 2023.

Artwork copyright James Harry. Photo courtesy of Whatcom Community College, by James Zyon, 2023.

Artwork copyright James Harry. Photo courtesy of Whatcom Community College, by James Zyon, 2023.

Artwork copyright James Harry. Photo courtesy of Whatcom Community College, by James Zyon, 2023.

Artwork copyright James Harry. The artist James Harry with his artwork. Photo courtesy of Whatcom Community College, by James Zyon, 2023.

ININYAX’A7N (Thunderbird), 2023

James Harry
(American | Salish)

Location: Whatcom Community College, Bellingham

ABOUT THE ARTWORK

ININYAX’A7N (Thunderbird) by James Harry is a testament to the Salish people's deep connection to the natural world and their unwavering commitment to preserving it for generations to come. It captures the essence of the Thunderbird, a revered symbol in Salish culture. What makes this sculpture unique is the use of metal instead of old-growth wood, a significant departure from traditional Salish carving practices. Old-growth cedar and fir trees are becoming scarce due to deforestation. Salish artists are having to find more sustainable alternatives, and metal carving is one such option.

James Harry has embellished the column with illustrations of the seven generations, a powerful reminder of the importance of thinking ahead for the benefit of future generations. The two thunderbirds circling in unison symbolize the cycle of life, spanning the past, present, and future. The use of tumuth, a traditional red ochre color, represents the deep connection between people, animals, and the earth. At the top of the column, the Coast Salish eye serves as a reminder that our ancestors are always watching over us.

This sculpture celebrates the Salish culture's rich heritage and its reverence for nature, but also underscores the importance of ecological sustainability. It encourages us to reflect on the impact of our actions on future generations and reminds us that we have a responsibility to care for the earth. The use of metal instead of old-growth wood is a metaphor for the Salish people's resilience and ability to adapt. Metal also promotes sustainable practices that honor the spirit of the forests.

This artwork was acquired for the State Art Collection in partnership with Whatcom Community College.

ABOUT THE ARTIST

James (Nexw’Kalus-Xwalacktun) Harry has developed his own approach to Indigenous art and practice. He uses cedar wood, metal, light, and traditional formline styles to create totems and other artworks, as well as abstract art. Harry also produces community-based art projects that bring people together, change ideas, and remind the community that transformations occurred.

James Harry was born in Vancouver, British Columbia, Canada, to a family of artists. He is of Squamish Nation (Swxwú7meshḵ) and European descent (Scottish and German). His father, Xwalacktun, is a master carver of the Squamish Nation, and he learned Indigenous stories, Salish design, and carving skills from him. He learned to draw and paint with his artist mother. Growing up, Harry was immersed in Squamish Nation culture and traditions, which deeply influence his artistic style and approach. Harry earned a Bachelor of Fine Arts degree from Emily Carr University of Arts and Design in Vancouver, British Columbia.

"Washington State is home to many Indigenous nations, including the Squamish Nation, whose traditional territories span across the Salish Sea and surrounding areas. It is important to acknowledge and respect the sovereignty of Indigenous nations and their ongoing relationship with their lands and waters." –James Harry